Tuesday, July 20, 2010
Friday, July 16, 2010
Tattoo Rugs And Runners
Renewable Energy? Reflecting on the football
I happened to hand this article published in the journal "Project 2000.
Controcorrente
"We have repeatedly argued that energy conservation and energy production from renewable sources, contribute to both, equally, to reduce air pollution and the co ¬ energy dependence on primary sources. However, we
also highlighted that the cost savings is much less than that required for the production of renewable energy.
The time of return on investment for the production of photovoltaic electricity in the absence of public funding, is in fact the order of 30-40 years.
In other words, the investment does not pay off as the duration of the plants is less likely.
is why the European market power artifact, through the energy bill, using financial resources to produce a staggering amount of energy is not crucial to solving the energy problems.
If it had been established a revolving fund, European, national or regional level, as for years advocated on these pages, you would save much more energy at no cost to users and to the state. The revolving fund would be supplied by the savings achieved as the times of return on investment are typically on the order of 5 years or less, as amply demonstrated.
For assistance at no cost would be unnecessary to even the tax incentive of 55%.
who refuse to renew the heating system for free?
The identification of the most energy buildings would be immediate, ¬ through to consumers and the free program Edilclima already reported.
It follows the opening of a large number of sites with massive impi ¬ go of labor professionals, workers in the construction sector, industry and manufacturers of plant materials. The
have focused too much on installing solar panels, often made in countries outside Europe, did not lead to employment (except for some "installer brackets") and has absorbed financial resources extremely important.
Tax incentives have instead encouraged the occupation, but at the expense of a growing national debt.
All right, if Europe does not now use a "maneuvers" to save I'euro exceptional.
I do not trust most of the "economists" have not been able to provide anywhere near the crisis, and now it seems not even know how to identify the best opportunities to mitigate them. Some impertinent
colleagues argue that the lobby of the energy producers are so powerful as to influence national governments, as well as Europe began to believe they are right. "
Franco Soma
Very counter, but in my opinion acceptable . 
I happened to hand this article published in the journal "Project 2000.
Controcorrente
"We have repeatedly argued that energy conservation and energy production from renewable sources, contribute to both, equally, to reduce air pollution and the co ¬ energy dependence on primary sources. However, we
also highlighted that the cost savings is much less than that required for the production of renewable energy.
The time of return on investment for the production of photovoltaic electricity in the absence of public funding, is in fact the order of 30-40 years.
In other words, the investment does not pay off as the duration of the plants is less likely.
is why the European market power artifact, through the energy bill, using financial resources to produce a staggering amount of energy is not crucial to solving the energy problems.
If it had been established a revolving fund, European, national or regional level, as for years advocated on these pages, you would save much more energy at no cost to users and to the state. The revolving fund would be supplied by the savings achieved as the times of return on investment are typically on the order of 5 years or less, as amply demonstrated.
For assistance at no cost would be unnecessary to even the tax incentive of 55%.
who refuse to renew the heating system for free?
The identification of the most energy buildings would be immediate, ¬ through to consumers and the free program Edilclima already reported.
It follows the opening of a large number of sites with massive impi ¬ go of labor professionals, workers in the construction sector, industry and manufacturers of plant materials. The
have focused too much on installing solar panels, often made in countries outside Europe, did not lead to employment (except for some "installer brackets") and has absorbed financial resources extremely important.
Tax incentives have instead encouraged the occupation, but at the expense of a growing national debt.
All right, if Europe does not now use a "maneuvers" to save I'euro exceptional.
I do not trust most of the "economists" have not been able to provide anywhere near the crisis, and now it seems not even know how to identify the best opportunities to mitigate them. Some impertinent
colleagues argue that the lobby of the energy producers are so powerful as to influence national governments, as well as Europe began to believe they are right. "
Franco Soma
Very counter, but in my opinion acceptable .
Monday, July 12, 2010
Hair Conditioner That Comes With Box Color
ROMEO (transcript of a nightmare)
I'm going to go on stage. Just a few minutes. Missing more seconds than minutes. Now, what's done is done: the party did not know. Or rather, I do not remember my lines. And this is simply dramatic. I know many writers in my life. Above all they were, however, actors, or painters with a strong commitment to the theater. We live in strange time, and it happens every day to hear me pronounce words right from the mouths of those who never would have expected me, and vice versa. From these characters I think I learned something, as natural, can not be transmitted to others in turn, beginning with the real actors in a lesser degree were present in my experience, and were themselves writers. The real experience is not communicated, for that matter, as it continues to be true that knowledge is not a solitary figure. I'll
Romeo in Romeo and Juliet of Shakespeare, I know for sure but I will instead play the father in Six Characters in Search of an Author by Pirandello awareness distressing, however, that it will be this evening own play. At first I had decided not to accept this proposal, and only a few days ago I went back on my decision but I have not had time to study the part. I'll have to improvise. I can whip up a conference on the work that is going to go on stage, or a lesson, even at the end I do every day, using the repertoire of many years but I am a writer and not an actor so I have to ignore the profound certainty lines. But not because I do not know I'm not a professional actor but as I have not memorized the text I am going to play. And after picking up fast these ideas that I will conclude this evening Romeo own play, and that scares me.
I accompanied my friends, I trust them to be in the ball, I complain but, accustomed to my excesses, I do not believe. However, I did not help: I \u200b\u200bhave to get by me.
Then I go to the desperate search text this evening own play, wondering how I'll make you fall in the character of Romeo.
Somehow I will.
He thought the author, who adapted the work, I tell myself. And so much so: if I have the script at least say something, will not be the complete scene changes.
But, again, give me and I say, "Shit! I could not learn something? How could I be so presumptuous, so crazy? "
... Who's with me urges me not to worry, because the other players" take me ": will think them. But where, I reply, where, where? Where it takes me, and how, if I do not know how to start? To beat any one know what I mean, I suggest someone, even if you do not know that the text will come out because I improvise. And together we regret that no more than once the prompters. Perfect!
I'm going to arm.
I am more than convinced.
By its nature.
on this no doubt.
I go up and down the theater and look for the text. Everywhere. I ask anyone to meet. In the end I find: hidden on a small table in the foyer and then I consider myself lucky too: it is a mini-script, smaller than a checkbook, you can keep it hidden in his hands, it will be impossible to cheat.
I will be a Romeo with downcast eyes, humble, thoughtful a Romeo who speaks very slowly. I note with relief that Romeo has very few jokes. The author, rifacitore did a good job.
must now decide just how to justify the presence of the script for this evening own play into the hands of Romeo, in my hands when I go on stage. Romeo today would be any, from the gallery. But we need to stage a gimmick to justify the following fact that is incontrovertible: fact, sometimes I'll have to peek at the script, if you do not even read it. But there is no time even to solve the latter problem: all of a sudden they're calling me, touch me! He just talked to Dr. HINKFUSS, some in the room have shouted: "The name! The name! " is precisely this evening own play, it's my turn now ...
later.
The audience greets me with applause, which, unlike the other times, all taken from my anxieties I did not expect, but I did not think more is always the same magic moment priceless though now it makes me feel guilty. But at the same time, I confess, the applause that thunders gives me courage and now I can not keep them waiting, waved his hand in thanks which has the effect of causing the silence and with downcast eyes I read the first line of Romeo from the checkbook, then I look up superbly to the audience, to the emptiness, the silence that listens only to this that says to Romeo ' beginning of the fourth scene of Act I, and I say
"So, you do this you enter without speech or apologize?"
Sandro De Fazi
July 2010 Copyright © 2010 Sandro De Fazi
ALL RIGHTS RESERVED
ALL RIGHTS RESERVED
Tous les droits réservés
The rights of translation, electronic storage, reproduction and adaptation, even partial, by any means reserved for all countries.
Text protected by copyright. Posted under Law No 22 April 1941 633 and its modifications. It is prohibited any reproduction, in whole or in part, as well as any use in any form without permission. 
I'm going to go on stage. Just a few minutes. Missing more seconds than minutes. Now, what's done is done: the party did not know. Or rather, I do not remember my lines. And this is simply dramatic. I know many writers in my life. Above all they were, however, actors, or painters with a strong commitment to the theater. We live in strange time, and it happens every day to hear me pronounce words right from the mouths of those who never would have expected me, and vice versa. From these characters I think I learned something, as natural, can not be transmitted to others in turn, beginning with the real actors in a lesser degree were present in my experience, and were themselves writers. The real experience is not communicated, for that matter, as it continues to be true that knowledge is not a solitary figure. I'll
Romeo in Romeo and Juliet of Shakespeare, I know for sure but I will instead play the father in Six Characters in Search of an Author by Pirandello awareness distressing, however, that it will be this evening own play. At first I had decided not to accept this proposal, and only a few days ago I went back on my decision but I have not had time to study the part. I'll have to improvise. I can whip up a conference on the work that is going to go on stage, or a lesson, even at the end I do every day, using the repertoire of many years but I am a writer and not an actor so I have to ignore the profound certainty lines. But not because I do not know I'm not a professional actor but as I have not memorized the text I am going to play. And after picking up fast these ideas that I will conclude this evening Romeo own play, and that scares me.
I accompanied my friends, I trust them to be in the ball, I complain but, accustomed to my excesses, I do not believe. However, I did not help: I \u200b\u200bhave to get by me.
Then I go to the desperate search text this evening own play, wondering how I'll make you fall in the character of Romeo.
Somehow I will.
He thought the author, who adapted the work, I tell myself. And so much so: if I have the script at least say something, will not be the complete scene changes.
But, again, give me and I say, "Shit! I could not learn something? How could I be so presumptuous, so crazy? "
... Who's with me urges me not to worry, because the other players" take me ": will think them. But where, I reply, where, where? Where it takes me, and how, if I do not know how to start? To beat any one know what I mean, I suggest someone, even if you do not know that the text will come out because I improvise. And together we regret that no more than once the prompters. Perfect!
I'm going to arm.
I am more than convinced.
By its nature.
on this no doubt.
I go up and down the theater and look for the text. Everywhere. I ask anyone to meet. In the end I find: hidden on a small table in the foyer and then I consider myself lucky too: it is a mini-script, smaller than a checkbook, you can keep it hidden in his hands, it will be impossible to cheat.
I will be a Romeo with downcast eyes, humble, thoughtful a Romeo who speaks very slowly. I note with relief that Romeo has very few jokes. The author, rifacitore did a good job.
must now decide just how to justify the presence of the script for this evening own play into the hands of Romeo, in my hands when I go on stage. Romeo today would be any, from the gallery. But we need to stage a gimmick to justify the following fact that is incontrovertible: fact, sometimes I'll have to peek at the script, if you do not even read it. But there is no time even to solve the latter problem: all of a sudden they're calling me, touch me! He just talked to Dr. HINKFUSS, some in the room have shouted: "The name! The name! " is precisely this evening own play, it's my turn now ...
later.
The audience greets me with applause, which, unlike the other times, all taken from my anxieties I did not expect, but I did not think more is always the same magic moment priceless though now it makes me feel guilty. But at the same time, I confess, the applause that thunders gives me courage and now I can not keep them waiting, waved his hand in thanks which has the effect of causing the silence and with downcast eyes I read the first line of Romeo from the checkbook, then I look up superbly to the audience, to the emptiness, the silence that listens only to this that says to Romeo ' beginning of the fourth scene of Act I, and I say
"So, you do this you enter without speech or apologize?"
Sandro De Fazi
July 2010 Copyright © 2010 Sandro De Fazi
ALL RIGHTS RESERVED
ALL RIGHTS RESERVED
Tous les droits réservés
The rights of translation, electronic storage, reproduction and adaptation, even partial, by any means reserved for all countries.
Text protected by copyright. Posted under Law No 22 April 1941 633 and its modifications. It is prohibited any reproduction, in whole or in part, as well as any use in any form without permission.
Saturday, July 3, 2010
Aveeno Shampoo Ingredients
"regularly every four years the World Cup is proving an event that attracts hundreds of millions of people. No other event on earth can have an equally large effect, which shows that this affects sporting event some primordial element of humanity and one wonders what all this power is based of a game. The pessimist will say that it is as ancient Rome. The slogan of the mass was: bread and circuses, bread and circus. The bread and the game would be vital, therefore, the contents of a decadent society that has no other higher goals. But even if one accepts this explanation, it is not quite adequate. You should also ask: what lies the charm of a game that is almost as important for bread? One might respond, making still refer to ancient Rome, the demand for bread and the game was actually an expression of the desire for a life Paradise, a life of fullness and freedom with no worries satisfied. Why is this means that ultimately the game: action completely free, without purpose, without constraint, at the same time committed and takes all the forces of man. In this sense the game would be a kind of attempt to return to paradise: the escape from the seriousness of everyday life and enslaving the need to earn a living, to live free of seriousness that is not mandatory and therefore it is beautiful.
So the game goes beyond everyday life. But, especially in children, it also has the character of the exercise to life. It symbolizes life itself and anticipates, so to speak freely in a structured manner. It seems to me that the fascination of football is essentially the fact that it connects these two aspects in a very persuasive. Are forced to discipline themselves in order to get through training, self-mastery, the mastery, superiority and the superiority of freedom. Also teaches a disciplined teamwork above all: as a team forces the inclusion of the individual in the team. It combines the players with a common goal: the success and failure of each individual are in success and in failure of the whole. In addition, he teaches a fair rivalry, where the rule common subjects which you are, there remains an element that binds and unites the opposition. Finally, freedom of the game, if it plays correctly, cancel the seriousness of the rivalry. By assisting the men identify themselves with the game and the players, and are thus personally all'affiatamento and rivalry, with the reliability and freedom: the players become a symbol of life; which in turn has an impact on them They know that men make in themselves and they feel confirmed. Of course this can be polluted by a spirit of business which subjects all the grim seriousness of money, turns the game by game industry, and creates a fictional world of frightening proportions.
But even this fictional world could exist without the good thing is that behind the game: a tutorial to life and the overcoming of life in the direction of the lost paradise. In both cases, however, is to seek a discipline of freedom to pursue the harmony with oneself, and understanding the rivalry in obedience to the rule. Perhaps reflecting on these things, we could learn from the game to live again, because it is clear something fundamental: man shall not live by bread alone, the world of bread is only the prelude to the true humanity of the world freedom. Freedom is nurtured, however, the rule of discipline, which teaches teamwork and fair rivalry, the independence of the external success and arbitrariness, and indeed becomes, thus, truly free. The game, a life. If we go deeper, the phenomenon of a world football fan can give us more than a bit 'of fun. "
(J. Ratzinger - 1985)
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